Wednesday, December 5, 2007

THE BOOK OF GENERAL IGNORANCE, by John Lloyd and John Mitchinson


This book is for the people who know they don't know very much." This comment, in the introduction of The Book of General Ignorance, sets the stage and presents the authors' challenge. I started reading it with a "Who do they think they are fooling" attitude. They made me a convert. This book only gets more interesting as you continue reading it. Some of the knowledge nuggets aren't big secrets, and in fact read as "trick questions," like "What is the tallest mountain in the world?" The trick is, "tallest," not "highest." Got it? Mauna Kea in Hawaii, not Mt. Everest. Then, what is the most dangerous animal that has ever lived? Answer? A mosquito, responsible, the authors say, for the deaths of about 45 billion humans. Of course (and they know this), one mosquito isn't responsible for these deaths, there are many species of mosquitos, and mosquitos really don't (directly) kill anybody. Trick question again. Then there were the questions that didn't hold any surprise at all: "What is the main ingredient of air?" Answer: nitrogen. But it got more interesting. What man-made objects are visible from the moon? None. Many are visible from "space" (a mere 60 miles above the surface of the Earth), but the moon is too far away. What is the biggest thing that a blue whale can swallow? What are violin strings made of? There are so many questions answered, that there is something here for everybody. This is better than Trivial Pursuit, because of the explanations given. This should be an entertaining book on CD to listen to on a long trip, and can easily be turned into a game for adults and kids. So I started reading it with a chip on my shoulder, and the authors made me a believer. Interesting, indeed. The book just kept getting better. And my favorite factoid? What is the longest animal alive today?

OUR DUMB WORLD, edited by Scott Dikkers


Our Dumb World: The Onion's Atlas of The Planet Earth, 73rd Edition features incorrect statistics on all of the Earth's 168, 182, or 196 independent nations. It also features maps, including a fold-out world map at actual size. Readers will learn about every country from Afghanistan, "Allah's Cat Box," to the Ukraine, "The Bridebasket of Europe."
Today's news-parody consumer cannot possibly understand made-up current events without the context of fake world history and geography. That is why "The Onion" is publishing a world atlas: to help us.
Our Dumb World is an invaluable tool for any reader interested in overthrowing a weakened government in East Asia, exploiting a developing nation in Africa, or for directions to tonight's party at Erica's. It is a reference guide to 250,000 of the world's most important places, such as North Korea's Trench of Victory, the Great Human Pyramid of Egypt, and Saudi Arabia's superhighway, the Mohammedobahn.

CHRISTMAS WITH PAULA DEEN, by Paula Deen


This is Paula Deen at her best - the perfect mix of great recipes and the personality-filled anecdotes that we fans of hers have come to love. I've only made one recipe so far, but I'll tell you that The Best Damn Bluebery Muffin You'll Ever Eat was indeed the best damn blueberry muffin I've ever eaten. I'll be buying more copies to give to my girlfriends who all love preparing for the holidays as much as Paula and I do.

GUINNESS WORLD RECORDS 2008, edited by Craig Glenday


The 2007 edition of the world’s most popular book offers yet another awesome collection of the most incredible feats on Earth. From the greatest adventurers, athletes, medical marvels, and natural—and unnatural—wonders on the planet, to a host of new celebrity record holders in the realm of entertainment, here are thousands of new or updated records, plus countless fascinating facts in every possible area. Did you know . . .The world’s oldest mom is Adriana Emilia Iliescu of Romania. At 66 years and 230 days old, she gave birth by Caesarean section to a daughter, at the Clinical Hospital of Obstetrics and Gynaecology, Bucharest.George W. Bush’s second inauguration as president of the United States of America was the most costly ever. Estimated spending for the three-day event was $40 million.And that’s just a hint of what’s inside this extraordinary book. Discover which two long-standing, classic records have finally been broken—and by whom. Enjoy Guinness World Record’s exclusive interviews and stunning photos—and even learn how to become a record breaker yourself. Who knows, you might make it into next year’s book. . . .

THE SECRET, by Rhonda Byrne.


I had never watched an entire episode of Oprah until her program on The Secret. In the promo for the show, Oprah announced that the program would present "the secret" to making more money, losing weight, finding the love of your life, and achieving job success. Who could resist hearing more about such a claim, especially when it is made by the most influential woman in America and touted as the key to all her success? Apparently I wasn't alone. After the show, Oprah's website was overwhelmed, emails poured in, and within hours The Secret had become the best-selling book in the nation.
A week later, while unpacking in a hotel room, I powered up the TV. Oprah and two guests from the week before appeared on the screen, effusive about the transforming power of The Secret. Her website called the episode, "A follow-up to the show everybody is talking about!"
People are not only talking about The Secret, they are buying it. I am writing this review in a Barnes & Noble bookstore, and this particular branch has completely sold out of the book—again. Only two days ago—so I am told—a storewide announcement assured a horde of anxious shoppers that another large shipment of the book had arrived and would be brought to the sales floor momentarily. Readers quickly grabbed every copy. Almost impossibly, The Secret is even outselling (at this writing) the final Harry Potter book. And if that weren't enough, the audio edition of the book follows these two as the nation's number-three seller.
The Australian author of The Secret, Rhonda Byrne, introduces the book by admitting, "A year ago, my life had collapsed around me" (p. ix). Through searching for answers in a variety of books new and old, she began to trace what she believed was a common thread in them all. She dubbed it the "Great Secret—The Secret to Life" (p. ix).
Byrne became convinced that this was the key to explaining the success of "the greatest people in history" (p. ix). As she started practicing this secret, Byrne says that her life immediately began to change in ways nothing short of miraculous. She decided to make a video called The Secret to share her discoveries with others. In March of 2006 it was released on the Internet, but soon went to DVD. By late autumn, the phenomenal success of the video placed it on two episodes of Larry King Live. Shortly after, two of the teachers featured on The Secret were guests on Ellen Degeneres' daily TV show. Before Christmas, The Secret DVD had spun off a book by the same title which Oprah Winfrey catapulted to the top of the charts in February of 2007.
The essence of The Secret is "the law of attraction." According to Byrne and the twenty-nine co-contributors whom she quotes extensively, everything in the Universe (which is always capitalized and usually synonymous for "God") vibrates on a particular frequency. When you think in harmony with the frequency of something, you attract it to you. If you think about wealth, you will receive wealth. If you think instead about your debt, you will receive more debt. You attract what you think about; your thoughts determine your destiny.
Byrne restates the law of attraction in various ways: "Nothing [good or bad] can come into your experience unless you summon it through persistent thoughts" (p. 28). "Your thoughts are the primary cause of everything" (p. 33). "Your current reality or your current life is a result of the thoughts you have been thinking" (p. 71). According to the product description on the DVD, "This is The Secret to everything—the secret to unlimited joy, health, money, relationships, love, youth: everything you have ever wanted.
Byrne promises with ironclad certainty: "There isn't a single thing that you cannot do with this knowledge. . . . The Secret can give you whatever you want" (p. xi). By it "you will come to know how you can have, be, or do anything you want" (p. xii).
In the final analysis, The Secret is nothing more than Name It-Claim It, Positive-Confession, Prosperity Theology (without God and the Bible), built on a foundation of New Age self-deification. In other words, the book is just another version of what some TV preachers have taught for decades, namely, if you will sustain the right thoughts, words, and feelings, you will receive whatever you want. But The Secret adds this important twist: your thoughts can bring anything into your life because you are god.

MY GRANDFATHER’S SON, by Clarence Thomas.







Clarence Thomas, the most conservative justice on a distinctly conservative U.S. Supreme Court, may well be the nation's most polarizing legal figure, and so it is only fitting that he has penned a polarizing memoir. In addition to chronicling his amazing journey from crushing poverty in his native Georgia to the nation's highest court, "My Grandfather's Son" is a furious assault on liberalism generally and on what Thomas calls the liberal political elite that sought to derail his confirmation.In his 15 years on the high court, the 59-year-old justice has long since established his once-doubted legal and intellectual bona fides. Yet with an eye on posterity, he seems to crave validation as having deserved his appointment and, more broadly, as a noble man fighting to do the right thing in an often bigoted, deceitful world. As Thomas puts it in his preface, he is rescuing his own history from the "careless hands" and "malicious hearts" of unnamed others.Whether Thomas' much-anticipated memoir will advance this cause is doubtful. Thomas' supporters will cheer his often eloquent and always feisty accounts in which every liberal idea is derided as a foolish "piety" belied by his life experience. But his polemical, score-settling approach is likely only to deepen the enmity of his detractors.Nowhere is this more true than in Thomas' treatment of the he-said / she-said conflagration over Anita F. Hill's charges that he made crude sexual advances toward her. Neither his successful Senate confirmation in 1991 nor the passage of time has mellowed his view of what he then famously decried as a "high-tech lynching." Spewing invective, Thomas depicts Hill as an abrasive, vindictive, politically motivated liar exploited by a "smooth-tongued" liberal "mob" (including a biased press) that was hell-bent on his personal destruction to prevent a more conservative court from overturning Roe vs. Wade. He casts himself as Tom Robinson, the black man wrongly accused of rape in "To Kill a Mockingbird," his favorite book as a youth. (Hill, a professor at Brandeis University, has declined to comment on the book or Thomas' characterization of her as a "mediocre" but ambitious lawyer and "my most traitorous adversary.")Thomas is refreshingly candid about the depths of his suffering, and one comes away with a deep sadness about our broken politics and the ferocious disincentives for anyone to seek high government appointment.Baring emotional wounds, however, is not the same as presenting a convincing case of innocence. Since the confirmation hearings, several careful journalists have shown that he was nothing like the uptight, prudish figure he presented at the time -- someone who could not possibly have talked about pubic hairs and Long Dong Silver. In law school, Thomas was a voracious consumer of pornography with a coarse sense of humor -- and credible evidence exists that his pornographic interest extended much later into his life. Thomas cops to none of this except to note briefly that, from "immaturity," he might have joined in a few discussions of pornography at Yale, when the movie "Deep Throat" and its ilk were mainstream cultural phenomena. Nor does he address others' claims that would seem to corroborate Hill's charge that Thomas made unwanted sexual advances toward her when she worked for him at the U.S. Equal Employment Opportunity Commission.This doesn't necessarily mean that Hill's accusations were true. It does mean that Thomas' sense of outrage is exaggerated and one-sided. He rails against a vast left-wing conspiracy for distorting his true character. Yet the portrait painted by his supporters at the time and now by Thomas was (and is) also false. For all his fury at those who so intrusively investigated him, he has only praise for those who slung the mud at Hill, tarring her with little foundation as journalist David Brock did in describing her as "a little bit nutty, a little bit slutty."The risk is that Thomas' polemical rendering of his confirmation fight will overshadow more effective -- and in some ways more important -- parts of his memoir. The enigma of Thomas has always been how a black man growing up in the Jim Crow South, who lived the American dream at least partly due to affirmative action, could be so intractably conservative and so scornful of the very programs from which he benefited."My Grandfather's Son" answers this question powerfully. As the title indicates, Thomas was reared by his grandfather, Myles Anderson, because his father abandoned him as a toddler and his mother hadn't the wherewithal to raise him. To say that Anderson practiced tough love is an understatement. He beat Thomas, denied him sports (despite the boy's athletic prowess) and subjected him at a tender age to hard physical labor. Emotionally remote, Anderson later kicked him out of the house when -- in a major break from his parochial upbringing -- Thomas decided to leave a Missouri seminary college.But as Thomas lovingly recounts, his grandfather taught him self-reliance, tenacity and religious faith. These gave him a resilience and independent spirit that Thomas convincingly credits with allowing him to leave behind the specter of an unproductive and potentially crime-ridden life and, instead, to excel amid widespread bigotry and want.Although Thomas' conservatism emerged after a flirtation with lefty radicalism, the rightward turn follows with perfect logic from the searing emotional lessons of his childhood. He was taught to steel himself against weakness, despise dependency and overcome racism through individual excellence. He did so, brilliantly, to the point where his greatest resentment comes from being the recipient of an unwanted helping hand -- the affirmative action program that helped him gain entrance to Yale. For Thomas, this was not a welcome door-opener, but rather "the soft underbelly of his career," a debasing of his own genuine achievement that encouraged doubts about his abilities.Although Thomas ends the memoir at the moment he is sworn in as a justice, his Supreme Court opinions are a natural extension of the narrative. His jurisprudence is most notable for his virulent opposition to affirmative action (including a rejection of the idea, belied by Thomas' own experience, that minority students learn better in a multi-racial environment), his attack on the constitutionality of New Deal-style social programs and his support for a more active role for religion in public life.This correlation between personal values, political beliefs and constitutional philosophy pose an ironic dilemma for the author. Of all the justices, Thomas has been among the most adamant in insisting that it is wrong for a judge's moral preferences and personal experiences to color his view of the law. Yet the memoir suggests on almost every page that Thomas has followed the opposite approach -- that his legal views appear to be the sum of his life experiences, that he is his grandfather's son both as a man and as a justice. This revelation, perhaps unintended, has the virtue of honesty, but whether it is a cause for celebration or worry depends entirely on where one stands along the chasm that divides our political culture.

SLASH, by Slash with Anthony Bozza.



From one of the greatest rock guitarists of our era comes a memoir that redefines sex, drugs, and rock 'n' roll
He was born in England but reared in L.A., surrounded by the leading artists of the day amidst the vibrant hotbed of music and culture that was the early seventies. Slash spent his adolescence on the streets of Hollywood, discovering drugs, drinking, rock music, and girls, all while achieving notable status as a BMX rider. But everything changed in his world the day he first held the beat-up one-string guitar his grandmother had discarded in a closet.
The instrument became his voice and it triggered a lifelong passion that made everything else irrelevant. As soon as he could string chords and a solo together, Slash wanted to be in a band and sought out friends with similar interests. His closest friend, Steven Adler, proved to be a conspirator for the long haul. As hairmetal bands exploded onto the L.A. scene and topped the charts, Slash sought his niche and a band that suited his raw and gritty sensibility.
He found salvation in the form of four young men of equal mind: Axl Rose, Izzy Stradlin, Steven Adler, and Duff McKagan. Together they became Guns N' Roses, one of the greatest rock 'n' roll bands of all time. Dirty, volatile, and as authentic as the streets that weaned them, they fought their way to the top with groundbreaking albums such as the iconic Appetite for Destruction and Use Your Illusion I and II.
Here, for the first time ever, Slash tells the tale that has yet to be told from the inside: how the band came together, how they wrote the music that defined an era, how they survived insane, never-ending tours, how they survived themselves, and, ultimately, how it all fell apart. This is a window onto the world of the notoriously private guitarist and a seat on the roller-coaster ride that was one of history's greatest rock 'n' roll machines, always on the edge of self-destruction, even at the pinnacle of its success. This is a candid recollection and reflection of Slash's friendships past and present, from easygoing Izzy to ever-steady Duff to wild-child Steven and complicated Axl.
It is also an intensely personal account of struggle and triumph: as Guns N' Roses journeyed to the top, Slash battled his demons, escaping the overwhelming reality with women, heroin, coke, crack, vodka, and whatever else came along.
He survived it all: lawsuits, rehab, riots, notoriety, debauchery, and destruction, and ultimately found his creative evolution. From Slash's Snakepit to his current band, the massively successful Velvet Revolver, Slash found an even keel by sticking to his guns.
Slash is everything the man, the myth, the legend, inspires: it's funny, honest, inspiring, jaw-dropping . . . and, in a word, excessive.

THE WAR, by Geoffrey C. Ward.


The War, the companion volume to Ken Burns' documentary, looks at first glance like the coffee table book of the season. It is, but only in the sense that, given its size, a coffee table might be the most practical place to read it. And The War, which lands in bookstores this week, should be read by everyone, from high schoolers, many of whom, as Burns points out in his introduction, "think we fought with the Germans against the Russians in the Second World War," to baby boomers, who think they know what their parents went through.
Unique not only among previous Burns companion volumes but among all books on World War II, The War pursues two main currents: the stories of four American towns during the war years and the bigger picture of both the European and Pacific fronts. The course of the war is never allowed to become too distant a subject. When battles are linked to the lives of the men who served and their friends and family in Waterbury, Conn.; Mobile, Ala.; Luverne, Minn.; and Sacramento, Calif., history becomes the stuff of personal drama.
Geoffrey C. Ward, prize-winning biographer of Franklin Roosevelt and author of companion volumes for three other Burns films, including The Civil War, handles the historical narrative deftly. What, one wonders, is left to say about this war? The answer is not so much new information as new interpretation.
Ward is tougher than almost any recent historian on the generals and war planners whose decisions were responsible for such massive blunders as the feeble defense of the Philippines in 1942 and the landing at Anzio in Italy in 1944. And the reader will be, too, when men we have come to know die needlessly.
Ward juxtaposes major events with illuminating details. In Mobile, for instance, both country music legend Hank Williams and the father of home-run hero Hank Aaron worked in the same shipyard, the kind of integration that would not have happened if not for the war effort.
But it's the personal side of the book, the stories of the common people from these towns and many others, including Japanese-Americans who went off to fight the Nazis while their parents lived behind barbed wire in interment camps, that pulls the reader in.
Their stories are told through newspaper articles, old photographs, letters to and from the front and, sometimes, most heart-rending of all, home movies that family members have kept for more than 60 years. They are also told, in many instances, by the participants themselves. All of these serve to re-create a time when Americans got their war news from the morning papers and radio rather than television and the Internet.
We find out the fate of soldiers, sailors and airmen as their loved ones find out. Each new death — usually delivered in the form of a Western Union telegram — hits the reader with the jolt of an emotional rifle slug (the reproduction of one such telegram provides one of the book's starkest photos).
Part history, part memoir and part photo album, The War is compelling on many levels. The photographs are a mesmerizing collection of both the war the GIs saw and the changing world they left behind. Many are so upsetting that for a long time they were known only to the men who took them: In the Ardennes Forest, American soldiers try to distinguish between our dead and the enemy in a pile of frozen corpses; in Dresden, a German town destroyed by Allied bombs, dead men, women and children are heaped in piles more than six feet tall; Marines on Okinawa stand around a radio looking stricken as they hear the news that the war in Europe is over. When will their war be over?
Much of The War will hit the uninitiated with a shock. Readers will begin to understand why fighter pilot Quentin Aanenson could never return to his father's farm in Minnesota. "I find there are times when I'm pulled back into the whirlpool," he says. "The intensity of that experience was so overwhelming that you can't let go of it."

AMERICAN CREATION, by Joseph J. Ellis


Academic fashion determines the way whole generations are educated, and since the '60s, as historian Joseph Ellis slyly remarks, a "hegemonic narrative" has prevailed within the academy, in which race, class, and gender are the privileged categories and the Founding Fathers of the American Republic have all too often been dismissed as the deadest of dead white males -- "racists, classists, and sexists, a kind of rogues' gallery rather than a gallery of greats." Historians have focused their attention, instead, on America's dispossessed: slaves, women, and Native Americans.
But in the last few years, the cultural focus has returned to the Founding Fathers with the appearance of a number of hugely popular new books, including bestselling biographies of Adams, Franklin, Hamilton, and Washington. The Founders are back: back with a vengeance, thanks to writers like Ellis himself, whose elegant, balanced books on the Founding era and biographies of Jefferson, Adams, and Washington have done much to return the public's attention to this remarkable group of men and their accomplishments.
Part of the urgent new interest in the founders might be attributable to the attacks currently being made on their greatest achievements, the United States Constitution and the Bill of Rights. The significance of habeas corpus, for instance, such a tortured issue today, can best be understood by going back to James Madison and the context within which he pressed for its enshrinement in the new nation's law. Another attraction is the way the Founders, brilliant men by any standards, shine by contrast with our present-day political leaders. As Henry Adams remarked way back in the 19th century, if you looked at all the American presidents panoramically, you would have to conclude that Darwin got it exactly backward.
The question that has always fascinated Ellis -- and so many other historians of the Founding era -- is, "How did they do it?" In American Creation: Triumphs and Tragedies at the Founding of the Republic, Ellis states the case.
During the last quarter of the eighteenth century a former colony of Great Britain, generally regarded as a provincial and wholly peripheral outpost of Western Civilization, somehow managed to establish a set of ideas and institutions that, over the stretch of time, became the blueprint for political and economic success for the nation-state in the modern world…. [These institutions included] representative government bottomed on the principle of popular sovereignty, a market economy fueled by the energies of unfettered citizens, a secular state unaffiliated with any official religion, and the rule of law that presumed the equality of all citizens.Posterity has generally deemed these achievements triumphs. But there were blunders at the Founding, too, disasters that might have been averted but were not, causing tragedy and all but tearing the Union to pieces. Most notable among these was the failure to end slavery, or at least to come up with a gradual scheme for emancipation, and the failure to create and enforce a fair settlement with the Native Americans. Ellis takes a close look at both the triumphs and the tragedies, showing us new facets of the familiar stories.
What makes Ellis's work so persuasive is his unwillingness to see the Founders in a simplistic light, either as ideal heroes or as racist villains. They were great men but undoubtedly flawed ones, and none of them has escaped with his reputation unstained. As Ellis remarks, "It is uncommon for the same men who make a revolution also to secure it," and the process of securing it involved compromises that some of the protagonists found nearly unbearable.
In a fascinating chapter on the creation and ratification of the Constitution, Ellis argues that the climax of that particular drama was not the Constitutional Convention of 1787 but the Virginia Ratifying Convention of 1788, which pitted a cast of titans against each other in a bitter fight over federal versus state authority. James Madison and George Washington, backed by Alexander Hamilton, argued in favor of a model in which federal authority would supersede that of the individual states, while George Mason and the great orator Patrick Henry fought for the principal of state sovereignty and a minimum of centralized power. The Henry-Madison debate in June 1788 was, Ellis claims, possibly "the most consequential debate in American history" -- even more so than the Lincoln-Douglas debates over slavery or the Darrow-Bryan one on evolution.
Eventually, the two sides were obliged to come to a compromise that pleased hardly anyone; in fact, Madison, at that time, felt that he had lost all the major battles and that "the principal of state sovereignty had been qualified but not killed, as he believed it should be." Ellis points out that the solution was a fruitful one in spite of itself, "making argument itself the answer by creating a framework in which federal and state authority engaged in an ongoing negotiation for supremacy, thereby making the Constitution, like history itself, an argument without end." Not quite entirely without end, perhaps; an end of sorts to aspects of the argument would certainly come on the battlefields of the Civil War.
The Antifederalist fear -- some have called it paranoia -- is worth considering. Its spokesmen, from Patrick Henry to its modern proponents, have argued that once in place, the federal government's "relentless expansion of arbitrary power was unstoppable, its tendency toward corruption was inevitable, and its appetite for despotism was unquenchable" -- an anti–Big Government position, in other words. For much of our country's history, this complaint came from the political right; now, though, it is gaining new adherents from the center and left, due to the Bush administration's unprecedented usurpation of power. The argument lives on, it seems.
In two subsequent chapters, Ellis shows how both Madison and Jefferson changed their positions due to the exigencies of political life after 1788. The beginning of the two-party system in 1791 defied everyone's conceptions of what the Constitutional government was supposed to be about, and it was psychologically impossible for Washington and Adams, "the last of a classical breed" and instinctively nonpartisan, to conceive of themselves as party men. But Alexander Hamilton's new fiscal programs led Madison and Jefferson, the southern agrarians, to fear that the Republic was being taken over by a sinister conspiracy of northern bankers and money men: the federal government, they believed, was running amok. Thus was born the Republican Party, with Jefferson at its head and Madison as his right hand.
"Given [Madison's] role as the most prominent Federalist of all in 1787-88, for him to recognize the Antifederalists as the heroic predecessors of the Republicans was akin to having Martin Luther declare his ultimate allegiance to the Vatican," Ellis comments dryly. Jefferson, too, was now displaying protean qualities that would ultimately lead him to defy any sort of political classification. When it became evident, during his presidency, that Napoleon Bonaparte was considering offering the Louisiana Territory for sale, Jefferson displayed his willingness to act unconstitutionally if the occasion demanded. "Throughout the 1790s he had labeled the Federalists 'monarchists' and insisted that any energetic projection of executive power violated republican principles. Now, he had just performed the most aggressive executive action ever by an American president, a projection of executive authority that would stand the test of time as perhaps the boldest in American history. If one wished to acquire an empire, it turned out, one had to become an imperial president."
It is hard to see how the two principal tragedies of the Founding era could have been evaded. Ellis shows us how during his first presidential term Washington, encouraged by Secretary of War Henry Knox, tried hard to create and implement a fair deal for the Native Americans in accordance with the republican principles for which the revolution had been fought. "It would reflect honor on the new government," Knox wrote, "were a declarative Law to be passed that the Indian tribes possess the right of the soil of all lands…and that they are not to be divested thereof but in consequence of fair and bona fide purchases, made under the authority, or with the express approbation of the United States." Knox and Washington envisioned a series of Indian homelands east of the Mississippi, protected by the federal government, that would eventually become states, but for many reasons -- especially the unstoppable streams of white settlers pouring into the Indian territories -- their efforts ended in debacle. It was a debacle Washington took personally, Ellis tells us, "believing that his signature on the [failed] Treaty of New York was his pledge of honor, as well as the solemn word of the United States government. Both were now being exposed as worthless."
The issue of slavery was, of course, the single most divisive question that faced the Founders. It was almost foreordained that the Constitution would fail to settle it, since there was no possible settlement that the 13 states could have agreed on: the Union would have dissolved before it even existed. But the Founders' failure on this subject went beyond a mere politic silence. As a group they were simply unable to imagine a functional biracial society. The resultant fissures in the newborn Republic were more than evident to the founding generation, but these men chose to push the inevitable earthquake into the future. It is a difficult choice to approve -- but a different course of action would probably have doomed the nascent Republic.
The most interesting aspect of Ellis's take on the Founders and their work is his vision -- a correct one, I think -- of the Union and the Constitution they created as ever-evolving, non-monolithic entities. Ellis's characterization of the Constitution as "an argument without end" has proved to be a just one, as anyone can see by tuning in to the Senate proceedings on C-SPAN today. Showing us the founding era as a series of philosophical conflicts and painful compromises rather than the triumphal progress celebrated in school textbooks makes American history -- and the embattled American present -- more comprehensible, and infinitely more accessible. --Brooke Allen
Brooke Allen is the author of Moral Minority: Our Skeptical Founding Fathers; Twentieth-Century Attitudes; and Artistic License. She is a contributor to The New York Times Book Review, The New Criterion, The New Leader, The Hudson Review, The Nation, and more.

MUSICOPHILIA, by Oliver Sacks.


Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does--humans are a musical species.
Oliver Sacks's compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people--from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome who are hypermusical from birth; from people with "amusia," to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds--for everything but music.
Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson's disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer's or amnesia.
Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.

LONE SURVIVOR, by Marcus Luttrell with Patrick Robinson.


Four US Navy SEALS departed one clear night in early July, 2005 for the mountainous Afghanistan-Pakistan border for a reconnaissance mission. Their task was to document the activity of an al Qaeda leader rumored to have a small army in a Taliban stronghold. Five days later, only one of those Navy SEALS made it out alive.
This is the story of the only survivor of Operation Redwing, fire team leader Marcus Luttrell, and the extraordinary firefight that led to the largest loss of life in American Navy SEAL history. His teammates fought valiantly beside him until he was the only one left alive, blasted by an RPG into a place where his pursuers could not find him. Over the next four days, terribly injured and presumed dead, Luttrell crawled for miles through the mountains and was taken in by sympathetic villagers who risked their lives to keep him safe from surrounding Taliban warriors.
A born and raised Texan, Marcus Luttrell takes us from the rigors of SEAL training, where he and his fellow SEALs discovered what it took to join the most elite of the American special forces, to a fight in the desolate hills of Afghanistan for which they never could have been prepared. His account of his squadmates' heroism and mutual support renders an experience for which two of his squadmates were posthumously awarded the Navy Cross for combat heroism that is both heartrending and life-affirming. In this rich chronicle of courage and sacrifice, honor and patriotism, Marcus Luttrell delivers a powerful narrative of modern war.

QUIET STRENGTH, by Tony Dungy with Nathan Whitaker.


Tony Dungy's words and example have intrigued millions of people, particularly following his victory in Super Bowl XLI, the first for an African American coach. How is it possible for a coach--especially a football coach--to win the respect of his players and lead them to the Super Bowl without the screaming histrionics, the profanities, the demand that the sport come before anything else? How is it possible for anyone to be successful without compromising faith and family? In this inspiring and reflective memoir, Coach Dungy tells the story of a life lived for God and family--and challenges us all to redefine our ideas of what it means to succeed. Includes a foreword by Denzel Washington and a 16-page color photo insert.

THE AGE OF TURBULENCE, by Alan Greenspan


Later this year, Alan Greenspan's memoir will be released, titled "The Age of Turbulence."
Publication date is Sept. 17 (you cannot yet pre-order it on Amazon). Greenspan's editor is pushing the rumor that the Maestro's promotional tour will include an appearance on the Tonite Show with Jay Leno.
There are lots of books about The Maestro (including Bob Woodward 's Maestro). Many are less than flattering, with titles like Greenspan's Fraud; Who Shot Goldilocks?; and Bubble Man;
I still get a chuckle every time I recall the Onion quote about his retirement: "I guess the crash-and-burn lifestyle of a 'chairman of the Federal Reserve' finally caught up with the guy."

BORN STANDING UP, by Steve Martin.


The history of Western culture is full of artists who bled, starved, or courted madness for their work and their audience. But come on: How many of those phonies stuck an arrow through their head for us? Steve Martin's Born Standing Up is a spare, unexpectedly resonant remembrance of things past, the things in question being balloon animals and bunny ears, as well as the awkwardness Martin felt with his sullen father and the profound silliness he himself unleashed on stage. The book is unexpected not because fans have forgotten the sunburst that was Martin's stand-up but because you'd be forgiven for wondering if he has. It's been decades since he began reinventing himself as a wry, quietly powerful novelist, a snowy-haired movie dad, and a real, as opposed to ironic, sophisticate. ''I ignored my stand-up career for twenty-five years,'' he writes, ''but now, having finished this memoir, I view this time with surprising warmth. One can have, it turns out, an affection for the war years.''
Martin's prose is unusually meditative for a guy who once insisted that the ozone layer had to be saved because it was shielding us from another, more distant layer — of farts. Off stage, he always tended toward the non-wild and not-so-crazy. By 15, Martin was doing magic acts for Cub Scouts and making notes: ''Leave out unessasary [sic] jokes... relax, don't shake... charge money.'' At 20, he performed for a week at a club in San Francisco, where a sign in the kitchen read ''Anyone giving money to Janis Joplin before her last set is fired!'' It was here that his act became not comedy but ''a parody of comedy.'' Every desperate thing he'd done just to fill a 25-minute set — balloons, banjo playing, nose-glasses — suddenly cohered.
Describing the road to his colossal fame, Martin drops tidbits about being intimidated by Linda Ronstadt (''Steve, do you often date girls and not try to sleep with them?'') and passing Elvis backstage in Vegas (''Son, you have an ob-leek sense of humor''). He talks about anxiety attacks and his father's death. But this is not some star's tell-all. Martin's one true subject is the evolution of his comedy — the transcendent moments when he realized, say, that punchlines were the enemy, that a white suit could be seen better in a concert hall. Born is a smart, gentlemanly, modest book. That it comes from a man who's spent his life lampooning arrogance makes it all the more winning. In 2001, while hosting the Oscars, Martin had a one-liner that deserves to be remembered as one of the great skewerings of celebrity vanity. ''Please hold your applause,'' he said. ''Until it's for me.'' Fair enough. Here it comes: A